Abdullah Ferkous's career and a long list of successful works

Abdallah Tokouna, known as Abdallah Ferkous, born February 2, 1965, is a Moroccan actor, producer, and director. He has participated in several television and cinematic works, including the film “Marrakesh Road,” “Walad Mo,” “Riyadh Al-Zaytoun,” “Stagiar,” and “Al-Farouk.”

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Abdullah Ferkous's films 1996: Silence of the Night 1997: The Wind Sower 1999: Congratulations 1999: Against the Tide 2002: Bojador's Lovers 2004: Marrakech Road 2004: Kindness 2006: The Honored 2007: Abu Amal 2009: Mo was born 2009: Season of Chaos 2010: Rest and Tourism 2010: The Machine 2011: Kanza's Time 2012: The Shoes 2014: Pomegranate Love 2014: R+4 2014: Night Musk 2015: Gardens of Olives 2015: Promotion 2015: Parsley Island 2015 interns 2015: Baba Techniqueta 2016: Chicken 2018: Stock Exchange 2019: Honda Mall 2019: My Stepson is a Millionaire 2020: Hamza 2020: Fifty Fifty 2021: Rose Malls 2021: Al Saad Malls 2022: Ghrain Aisha 2022: From me to you

Abdullah Ferkous's series A human being in the balance Up and down Farkous and Farkoussa He did not see what he saw Dreams of Naseem Al-Bahja neighborhood Haniya Mubarak and Masoud We are all Moroccans Joy again Bring your house What is this? There is good in it

Abdullah Ferkous's plays Chatting with the clumsy He planted it and pulled it out sweet tongue broken wing What's hers is hers The reformer The worst way

On the other hand, Moroccan actor Abdallah Ferkous defended commercial comedy films, which have recently been subjected to a series of criticisms from some critics and film buffs, who are disturbed by their abundance and their dominance of the box office at the expense of their narrative counterparts.

Abdullah Ferkous considered the widespread presence of commercial films in cinemas to be evidence of their popularity and the demand for them from the Moroccan public. He also attributed the absence of historical films from the Moroccan cinematic scene to weak production, as these works require huge budgets that cannot currently be provided, he said.

Regarding the accusation that he monopolizes television, Abdullah Ferkous explained that he has accumulated numerous works over the course of his 44-year artistic career, which national channels rebroadcast throughout the year, which makes the public feel that he monopolizes television, but that is simply not true, he said.

It is noteworthy that the artist Abdullah Ferkous has finished filming a new TV series entitled "Fiha Khair" in the city of Marrakesh, which he produced and directed by Rashid Al-Hazmir.

The comedy series "Fiha Khair" consists of thirty episodes and is scheduled to air on Channel One during the upcoming Ramadan season. The script was written by Fadhila Benmoussa, Rami Fajaj, and Bouker Fahmy.

Moroccan artist Abdallah Ferkous expressed his surprise at the criticism directed at him and a number of other Moroccan actors entering the field of directing, considering that "the subject is completely normal and does not merit the controversy surrounding it."

Abdullah Ferkous said that it is the right of any Moroccan artist to pursue any specialization within the field in which he works, pointing out that an actor can become a director, writer, or other artistic specializations based on the experience he gains, which develops his capabilities, as he put it.

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Abdullah Ferkous added that those who criticize actors who enter the field of directing should "also be qualified and have the training that allows them to criticize us. The director did not intrude on the field, otherwise he would not have received a card issued to him by a specialized committee." He pointed out that he is focusing on his work and no longer cares about the criticism directed at him personally.

Audiences are eagerly awaiting the appearance of artist Abdallah Ferkous in a new film titled "The Pose," which highlights a wide range of exciting issues currently facing Moroccan society. It discusses how trivial and poorly written content on online platforms is turning some people into stars and billionaires.

The film, directed by Demna Bounailat, tells the story of a poor, ambitious young woman with a melodious voice. Luck is not on her side, so she is forced to work with the director of the music institute in the neighborhood, who acts as her manager and takes her to work at the weddings of poor families.

Actor Abdallah Ferkous declined to comment on the controversy surrounding his remarks at the 20th Marrakech Film Festival, saying only that he was not concerned about what happened.

Abdullah Ferkous added that what currently occupies his interest and that he would like to highlight is the Moroccan Sahara, adding in the same context: We must also be proud of our Moroccan heritage, clothing, food, and popular culture.

Abdullah Ferkous defended commercial films, arguing that they have a following and audience, noting that the scarcity of historical films is linked to their need for large-scale production.

Abdallah Ferkous affirmed his satisfaction with his experience in cinema and television, noting that all current Moroccan productions are outstanding and on the rise.

Abdullah Ferkous added in the same context that every 10 years there is a boom in production, as according to him there is development in the levels of image, sound, actors, script and directing.

Regarding the accusation that he monopolizes television, he said that he doesn't have much work and has been working in the artistic field for 44 years. He added that the issue is related to rebroadcasting his works, which keeps him always present.

He expressed his happiness at attending the Marrakech International Film Festival since its inception, describing it as an "experience" that provided the opportunity to meet actors and directors both at home and abroad.

It's worth noting that actor Abdallah Ferkous sparked controversy at the previous edition of the Marrakech Film Festival with his statement about the continuation of artistic demonstrations in light of the bloody events taking place in Gaza, drawing a barrage of criticism.

Abdullah Farkous said at the time that if the artist stopped practicing his activities, it would not affect the fate of the war, which would continue whether he stopped or continued working, stressing that “the profession of art is like any other profession, and the artist must only talk about his art, without engaging in political discussions.”